Michael Curtiz’s 1945 Mildred Pierce—a noir-tinged melodrama for which star Joan Crawford won her only Oscar—is a classic whose reputation hasn’t faded over the years. But ahead of its recent Criterion release, the decades-old frames of the film required a painstaking rehabilitation process. After a number of archival film elements were scanned at 4K resolution at Warner Bros.’ in-house Motion Picture Imaging lab in Burbank, the original camera negative of the film came to light, providing the basis for the majority of the restoration—that is, until the negative’s inferior final reel necessitated dipping into another archive altogether. The resulting presentation of Mildred Pierce, now available on Blu-ray and DVD, beautifully reflects the silken texture of that original nitrate stock, the luminosity of the black-and-white images accentuating the film’s stark themes of social ambition and familial loyalty. For the full story behind the restoration—as well as an opportunity to get acquainted with the technical experts and state-of-the-art equipment at both Warner Bros. and Criterion—watch the video above, made by Criterion videographer Tara Young.
Fresh Ears on The Inland Sea’s Exquisite Soundscapes
Lucille Carra’s lyrical documentary got a sonic makeover when Criterion audio supervisor Ryan Hullings solved two major problems that have followed the film since its release.
Veteran archivist Ross Lipman untangles the complexities of restoring Barbara Loden’s film, from questions surrounding the tonal quality of its images to the mysteries of its aspect ratio.
Diving into the Nitty-Gritty of Film Conservation in Kolkata
Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.
A New Restoration Brings Detour Back to the Big Screen
Long available only in substandard public-domain prints, Edgar G. Ulmer’s noir masterpiece looks better than ever in the new restoration opening at New York’s Film Forum this week.