The Criterion Collection
Essays
Jun 16, 2026 — The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...
The Daily
Jun 12, 2026 — We’re hunkering down with an oral history of Steven Spielberg and reading about Mary Harron, Marianne Jean-Baptiste, Radu Jude, and Pier Paolo Pasolini.
The Daily
Jun 11, 2026 — An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.
The Daily
Jun 10, 2026 — Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.
The Daily
Jun 9, 2026 — The screenwriter, director, and novelist will take an active part in all ten screenings in a TIFF Cinematheque series.
The Daily
Jun 8, 2026 — Asia Society presents a seven-film retrospective in New York from Thursday through Sunday.
Jun 5, 2026 — Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...
Jun 4, 2026 — Since its debut in 2024 at the New York Film Festival, the Criterion Mobile Closet has made wildly successful visits to cities across the United States and Canada. For our next stop, we are headed back to Los Angeles for...
The Daily
Jun 1, 2026 — The world’s most desolate film festival expands to nearly a hundred theaters in seventy-three cities.
The Daily
May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.