Aug 25, 2026 James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.

Aug 25, 2026 The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.

Art-House Sci-Fi

The Daily

Aug 19, 2026 BAM presents visions of a few possible utopias—and plenty of dystopias.

Aug 13, 2026 In Kidlat Tahimik’s playful and unpredictable film, a Philippine village is tasked with manufacturing thousands of figurines for the Olympic Games, upending the lives and customs of the local population.

Aug 11, 2026 Known for her work with Ozu, Mizoguchi, and Kurosawa, Kagawa takes the spotlight in a series that opens with Naruse’s Little Peach.

Aug 11, 2026 Set in 1930s French West Africa, Bertrand Tavernier’s hard-to-classify adaptation of the Jim Thompson novel Pop. 1280 offers an apocalyptic vision of a society in which institutions have abdicated their moral authority.

Aug 10, 2026 As A. Rimbaud carries on building a dedicated audience, San Diego’s Digital Gym presents a retrospective.

Deep Dives

The Daily

Aug 7, 2026 This week: Conversations with Jane Schoenbrun, Ngozi Onwurah, and Kent Jones and writing on Jean Epstein and Stanley Kwan.

Aug 7, 2026 The members of this influential leftist collective created a formally adventurous body of work that examined the nation’s tumultuous history through a postcolonial lens.

Aug 5, 2026 MIFF 2026 revives films by Manoel de Oliveira, Lino Brocka, Mary Stephen, Yoshiaki Kawajiri, Michael Almereyda, and Mary Harron.

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