The Criterion Collection
Aug 25, 2026 — James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.
Essays
Aug 25, 2026 — The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.
The Daily
Aug 19, 2026 — BAM presents visions of a few possible utopias—and plenty of dystopias.
Aug 13, 2026 — In Kidlat Tahimik’s playful and unpredictable film, a Philippine village is tasked with manufacturing thousands of figurines for the Olympic Games, upending the lives and customs of the local population.
The Daily
Aug 11, 2026 — Known for her work with Ozu, Mizoguchi, and Kurosawa, Kagawa takes the spotlight in a series that opens with Naruse’s Little Peach.
Aug 11, 2026 — Set in 1930s French West Africa, Bertrand Tavernier’s hard-to-classify adaptation of the Jim Thompson novel Pop. 1280 offers an apocalyptic vision of a society in which institutions have abdicated their moral authority.
Aug 10, 2026 — As A. Rimbaud carries on building a dedicated audience, San Diego’s Digital Gym presents a retrospective.
The Daily
Aug 7, 2026 — This week: Conversations with Jane Schoenbrun, Ngozi Onwurah, and Kent Jones and writing on Jean Epstein and Stanley Kwan.
Aug 7, 2026 — The members of this influential leftist collective created a formally adventurous body of work that examined the nation’s tumultuous history through a postcolonial lens.
The Daily
Aug 5, 2026 — MIFF 2026 revives films by Manoel de Oliveira, Lino Brocka, Mary Stephen, Yoshiaki Kawajiri, Michael Almereyda, and Mary Harron.