Michael

Jul 21, 2026 — Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jul 17, 2026 — This week brings conversations with Jeffrey Wright, John Woo, and the members of three cinema collectives.

Jul 14, 2026 — On October 30, 1992, the Provisional Irish Republican Army set off two bombs as part of an ongoing campaign against British rule in Northern Ireland. One, a small explosive planted alarmingly close to the prime minister’s residence at 10 Downing...

Jul 2, 2026 — This week’s roundup ranges from sad goodbyes to a silent comedy, from Hitchcock to Barker, and from video art to a cult TV series.

Jul 1, 2026 — Film at Lincoln Center rolls out a series of ten films probing the secrets and suspicions of a nation that seems perpetually on edge.

Jun 29, 2026 — In the run-up to the country’s 250th birthday, several venues are offering prompts for celebration and reflection.

Jun 22, 2026 — A quiet highlight of last fall’s festival season, Milagros Mumenthaler’s third feature tours theaters through July.

Jun 22, 2026 — Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...

Jun 16, 2026 — BAM presents twelve films ranging from the early 1960s through the late 1980s.

Jun 12, 2026 — We’re hunkering down with an oral history of Steven Spielberg and reading about Mary Harron, Marianne Jean-Baptiste, Radu Jude, and Pier Paolo Pasolini.