The Criterion Collection
The Daily
Oct 28, 2025 — Selections from the independent Cannes sidebar will screen in New York and Los Angeles.
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
The Daily
Oct 27, 2025 — The Melbourne Cinémathèque presents vibrant and enduring mashups of melodrama and social realism.
Features
Oct 24, 2025 — This French art-horror master shocked audiences with a string of sexy vampire movies often centered on complex female friendships and women-ruled fantasy worlds.
Oct 21, 2025 — Set in a postcard-perfect American town, David Cronenberg’s provocative take on the old-fashioned crime thriller examines the pleasure we derive from cinematic violence and the construction of patriarchal impunity.
The Daily
Oct 2, 2025 — The festival presents new films from Gianfranco Rosi, Kahlil Joseph, Laura Poitras and Mark Obenhaus, and Lucrecia Martel.
The Daily
Sep 30, 2025 — Three films of wonder and wandering: Mare’s Nest, Dry Leaf, and Drunken Noodles.
Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.
The Daily
Sep 26, 2025 — The week brings a celebration of restorationists and the new and younger audiences showing up to see their work.
The Daily
Sep 25, 2025 — So far this year, no other movie has been as enthusiastically reviewed as Paul Thomas Anderson’s One Battle After Another.