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Being Human

Jul 21, 2026 At the beginning of Cruel Story of Youth (1960), the title splashes across the screen in fiery red. Each of the three Japanese words that appear offers a key to understanding director Nagisa Oshima’s breakthrough film and the energies that...

Jul 17, 2026 Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.

Jul 14, 2026 News of his “sudden and unexpected” passing has drawn a flood of appreciation and genuine affection.

Jul 9, 2026 Deep Dives One of the most mischievous figures in world cinema, Věra Chytilová is still best known for Daisies, the daring 1966 film whose gonzo vision of female rebellion and empowerment launched her into the public eye. This Czechoslovak New...

Jul 6, 2026 Karlovy Vary hosts the world premiere of a new restoration of the Czech director’s 1988 tragicomedy.

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

May 27, 2026 Is it possible to look without trying to grasp the object of one’s gaze? Traditional ethnographic documentaries, much like the written ethnographies that preceded them, have attempted to explain a given culture to those who don’t belong to it, assuming...

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

May 12, 2026 Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

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