The Criterion Collection
Essays
Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.
The Daily
Mar 30, 2026 — This year’s Hong Kong International Film Festival will present twelve Chinese-language classics.
The Daily
Mar 12, 2026 — A selection of fine writing on this year’s Academy Award nominees.
The Daily
Mar 10, 2026 — Metrograph presents a retrospective of work by a filmmaker championed by Godard, Rivette, and Bazin.
The Daily
Feb 20, 2026 — Steven Soderbergh talks and two retrospectives showcase work by Raymond Depardon and John Schlesinger.
The Daily
Feb 11, 2026 — Opening Friday: Noir City in Seattle, the Nitrate Film Festival in Los Angeles, and Cinéma Du Cashiers in New York.
The Daily
Feb 3, 2026 — Her passing has sparked an outpouring of appreciation for the hilarious ways she found to cut loose.
The Daily
Jan 28, 2026 — TIFF Cinematheque salutes the surrealist master with a series of fresh restorations and rare 35 mm prints.
Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.
Jan 22, 2026 — A singular achievement in Arab film history, Mohammed Lakhdar-Hamina’s sweeping political epic is a memorial to the lives lost in the struggle for Algerian independence.