Leaving

Apr 27, 2026 — The festival centered on experimental documentary and avant-garde film will roll out across five New York venues.

Apr 27, 2026 — During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...

Apr 17, 2026 — From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...

Apr 15, 2026 — The festival presents winners of top prizes in Rotterdam and Locarno as well as highlights from Cannes and Berlin.

Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

Mar 16, 2026 — Paul Thomas Anderson’s One Battle After Another wins six, and Ryan Coogler’s Sinners wins four.

Feb 25, 2026 — The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

Feb 23, 2026 — Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.

Feb 19, 2026 — Though in many ways the quintessential company man, the director brought an intimate understanding of the margins of American society to the films he made for Warner Bros. in the 1930s.

Feb 13, 2026 — This week brings a tribute to Diane Keaton, notes on Taxi Driver at fifty, and three flights of the spirit.