They Live

Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.

Sep 29, 2025 — Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.

Sep 19, 2025 — A week of pairings: Two films by Chantal Akerman, two essays by Serge Daney, Mike Figgis on Francis Ford Coppola, and Nadia Latif on Mira Nair.

Sep 16, 2025 — In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.

Sep 8, 2025 — Father Mother Sister Brother and The Voice of Hind Rajab win top awards in Venice.

Sep 3, 2025 — Amanda Seyfried (The Testament of Ann Lee), Jesse Plemons and Emma Stone (Bugonia), and Dwyane Johnson (The Smashing Machine) dazzle in Venice.

Sep 2, 2025 — Premiering in Venice and heading next to the NYFF, Jones’s film stars Willem Dafoe and Greta Lee.

Aug 27, 2025 — The summer’s been terrific for new movie magazines and filmmaker biographies.

Aug 26, 2025 — Zeinabu irene Davis’s sole narrative feature is a vision of the past as it might have been, as well as an exploration of how history becomes a part of the everyday rhythms of Black life.

Aug 22, 2025 — Hong Kong classics, the best of the 1970s, and a Chantal Akerman exhibition are among this week’s highlights.