Not my favorite Cronenberg film, but one that works, for obvious reasons, extremely well on home video. This was a pivotal movie for me, the film that bridged my adolescent love of horror and fantasy to a cinema of ideas. Just when, umpteen viewings on, I thought I couldn’t possibly get anything new out of it, Criterion drops the full cut of Samurai Dreams, the exquisite soft core J-porn excerpted in the feature, as an extra. The Criterion Collection, putting the bone in bonus since 1984.
The human soul examined by avant-garde gynecology in the saddest movie ever made. Cronenberg leaves the realm of master and steps into the pantheon, bringing Jeremy Irons—flawlessly doubled in one of the all-time great performances—right along with him. Timeless and devastating.
By Brakhage: An Anthology, Volume One
Of all the titles in the Collection, this may be the one whose content is most radically altered by the shift from film to video, projection to electronic display. What’s lost in translation—flicker, physicality, the sheer thingness of a Brakhage film flung through space—is made up for by our ability to study the intricate compositions, structures, and rhythms in detail. Taken frame by frame, it’s like owning a Brakhage monograph with 350,000 plates. Is Commingled Containers the most beautiful of all films? Yes.
. . . also A Woman Is a Woman, Band of Outsiders, Breathless, Contempt, Made in U.S.A, Masculin féminin, Tout va bien, and 2 or 3 Things I Know About Her.
Now I’m just waiting for Nouvelle vague, Germany Year 90 Nine Zero, Passion, King Lear, In Praise of Love, JLG/JLG, Le petit soldat, Weekend, Ici et ailleurs, Numero deux, Hail Mary, and a box set of Histoire(s) du cinéma.
Science Is Fiction: 23 Films by Jean Painlevé
I’m still working my way through this two-disc set of whimsical documentary shorts by a filmmaker unknown to me until now. Droll, enchanting, and perfectly scaled for home viewing, they open a window on an aquarium that Paul Klee would have felt right at home in—were he, you know, a fish.
Bruce Beresford’s Top 10
Bruce Beresford is the director of more than twenty-five features, including Breaker Morant (1980), Tender Mercies (1983), Driving Miss Daisy (1989), Mister Johnson (1990), and Black Robe (1992).
Terence Nance’s Top 10
Terence Nance was born and raised in Dallas, Texas. His first feature film, An Oversimplification of Her Beauty, premiered in the New Frontier section of the 2012 Sundance Film Festival.