This Is Spinal Tap
Along with The Producers (the original), this film makes me laugh the loudest and the longest. Every scene is totally hilarious, and so many of the gags are now classic—the amplifier that “goes to 11”; “It’s okay—Boston’s not a big college town”; and “Yes, I could sell hats —what size are you?”
This is Terry Gilliam’s classic—his best film. The music, the visuals, the fantasy, the dark surrealism. It all works to make a haunting masterpiece. A bit of trivia: the hero’s boss, H. Kurtzman, is named after Harvey Kurtzman, the originator of Mad magazine, and Terry’s boss at Help magazine.
The Bank Dick
A lot of my critics say my films lack strong, concise storylines. They complain that they ramble—I say, look at all the W.C. Fields classics; that’s his trademark. He goes off on these crazy, hilarious tangents that make no sense whatsoever. And that’s what makes this film so much more interesting and screwball.
Jacques Tati is one of my heroes, and this film, I believe, is his best. It parodies the influence of modern architecture and design in the late 50s. Also, Mr. Tati used just the visuals to tell a story and make people laugh. Very deadpan. I also generally discard dialogue to make the imagery carry the plot and humor.
Seth’s Top 10
Seth is a cartoonist whose books include It’s a Good Life If You Don’t Weaken, George Sprott (1894–1975), and Clyde Fans Book One. As an illustrator and designer, he has worked on a number of high-profile projects, including Fantagraphics Books…
Bill Hader’s Top 10
In compiling his top ten Criterion editions, Hader says, “I couldn’t pick ten . . . sorry. So I programmed Criterion double features, which is what I tend to do on Sunday nights anyway.”
Hossein Amini’s Top 10
The Iranian-British Hossein Amini received an Academy Award nomination for his 1997 screenplay adaptation of Henry James’s The Wings of the Dove and wrote the screenplays for Jude (1995), The Four Feathers (2002), and Drive (2011).