This Is Spinal Tap
Along with The Producers (the original), this film makes me laugh the loudest and the longest. Every scene is totally hilarious, and so many of the gags are now classic—the amplifier that “goes to 11”; “It’s okay—Boston’s not a big college town”; and “Yes, I could sell hats —what size are you?”
This is Terry Gilliam’s classic—his best film. The music, the visuals, the fantasy, the dark surrealism. It all works to make a haunting masterpiece. A bit of trivia: the hero’s boss, H. Kurtzman, is named after Harvey Kurtzman, the originator of Mad magazine, and Terry’s boss at Help magazine.
The Bank Dick
A lot of my critics say my films lack strong, concise storylines. They complain that they ramble—I say, look at all the W.C. Fields classics; that’s his trademark. He goes off on these crazy, hilarious tangents that make no sense whatsoever. And that’s what makes this film so much more interesting and screwball.
Jacques Tati is one of my heroes, and this film, I believe, is his best. It parodies the influence of modern architecture and design in the late 50s. Also, Mr. Tati used just the visuals to tell a story and make people laugh. Very deadpan. I also generally discard dialogue to make the imagery carry the plot and humor.
D. A. Pennebaker’s Top 10
Filmmaker D. A. Pennebaker (Dont Look Back, Monterey Pop, The War Room) and Chris Hegedus (The War Room, Startup.com), creative partners and husband and wife, offer these favorites.
Austin Garrick’s Top 10
The Toronto-based songwriter-producer Austin Garrick is one-half (alongside vocalist Bronwyn Griffin) of the electronic pop duo Electric Youth, whose full-length debut album, Innerworld, was released in September 2014 by Secretly Canadian/Last Gang R…
Bruce Goldstein’s Top 10
Recipient of a special New York Film Critics Circle award for visionary programming, Bruce Goldstein is the Repertory Program Director of New York’s Film Forum, for which he has created more than 350 film festivals and spearheaded the rereleases of…