This film blew me away when I first viewed it, by accident, in a coffeehouse on Melrose prior to its theatrical release. It was playing nonstop in a back room, and I dragged many of my friends back to see it right away. Let’s just say, I related deeply. It’s Linklater’s first and hands-down best.
Albert Maysles, David Maysles, Ellen Hovde, and Muffie Meyer
I have yet to see the Broadway production, but it warms my heart to know this brilliant documentary from Albert and David Maysles has inspired such a thing. An example of how a personal relationship between the filmmaker(s) and subject can in fact benefit the film itself. Fascinating, funny, and sad.
One of my all-time favorite Altman films, and clearly one of his strangest. I’ve seen it a bunch over the years, and I always see something new in it with each viewing. The idea for this came to Altman in a dream, and it’s fantastic that he took note and crafted this understated, surreal dark comedy from such a place. People just don’t make films like this anymore. Sissy Spacek and Shelley Duvall are perfect.
Terry Gilliam grows up from his Python days and delivers a knockout, which (like the Orwell that clearly inspired it) was spot-on in predicting the future. Yes, it’s funny, but it’s mostly bleak, and it is Gilliam’s ultimate film. I love that this DVD set has the hack studio edit included (the “Love Conquers All” version that was sadly used for television, in which a happy ending is inserted, therefore changing the meaning of the film). Kind of reminds me of what the Bush administration has done to the media over the last eight years.
This Is Spinal Tap
Rock films, or rock bands for that matter, were never looked at quite the same way after this film was released. Rob Reiner, er, Marty DiBergi gets the director credit, but somehow I feel the combined improvisational talent of Christopher Guest, Michael McKean, and Harry Shearer has an awful lot to do with the sublime content within. Yes, it’s funny, but it’s also as painful as any Bergman epic. Such is life.
William Friedkin’s Top 10
“I discovered Criterion in the late eighties with the laserdisc of Citizen Kane, which I still watch,” writes director William Friedkin, whose films include The French Connection, The Exorcist, Sorcerer, and 2011’s Killer Joe.