Children of Paradise
Marcel Carné’s masterpiece, starring the unforgettable Jean-Louis Barrault and the divine Arletty.
The Rules of the Game
Jean Renoir’s exposé of French bourgeois hypocrisy—always a great subject!
To be viewed with Pickup on South Street. Samuel Fuller originally wanted to use the same title as Bresson’s film.
The Tin Drum
Volker Schlöndorff’s brilliant adaptation of the great Günter Grass novel.
Rainer Werner Fassbinder
The Marriage of Maria Braun
I love the whole BRD trilogy for Fassbinder’s truthful rendering of the German psyche after World War II devastation and post–Marshall Plan de-Nazification, and for the great parts that he offered to his female actors. Being a teenager in the fifties, in Germany, I left for Paris to avoid being sucked into the materialistic obsession displayed here.
It has not aged a bit, and it contains my cinema debut, albeit in a small role. And the great Akim Tamiroff gets to die on me! An unforgettable experience. My daughter loves the way I pickpocket Tamiroff while taking his coat off.
Brigitte Bardot has never been better. The way Jack Palance’s producer brilliantly humiliates Michel Piccoli’s writer, who tries to hold on to his pride, rings a bell. Plus, our friend Fritz Lang as the director . . . Sacré Jean-Luc!
Anguish and hope, and Peter Lorre’s sterling performance.
The Naked Kiss
Something’s to be said for the Bicameral Mind. Kill the Pig and the Gods will commune through the head on the pole. I think I’m getting Lasik—just in case the veneer shatters.
Michael Barker’s Top 10
Michael Barker and his copresidents at Sony Pictures Classics, Tom Bernard and Marcie Bloom, have brought out some of the best and most successful independent and international films of the last two decades, from Women on the Verge of a Nervous Break…
Dick Cavett’s Top 10
One of the United States’ most beloved talk-show hosts of all time, Dick Cavett has been a presence on television since his first interview program, This Morning, debuted in 1968.
Karyn Kusama’s Top 10
For her list of favorite Criterion titles, the director of Girlfight and Destroyer celebrates the Hollywood classics, cult pleasures, and art-house masterpieces that inspire her, pairing movies that resonate with each other in style and theme.