Harold and Maude
An early touchstone for me. One of the first art films that showed me at a young age what movies could be. They could make you laugh and also be super odd and eccentric, but there was still room for them to break your heart. It was a huge influence on Garden State. Two oddballs find love and strength within each other’s eccentricities, all set to the music of Cat Stevens. I love this movie.
This is my favorite Wes Anderson movie. He is obviously such an incredible visualist, and there was something about Max Fischer that I really related to—I always felt like an outcast, but I had a ton of ambition. It’s quite a feat to make something so visually arresting while also making you laugh and breaking your heart.
Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb
Well, I mean, come on. This is a masterpiece. I don’t know what to say that hasn’t already been said by many people way smarter than me, but it set a very high bar for brilliant satire, acting, cinematography, production design, everything.
I can’t tell you how many times I’ve pitched something and said, “It’s like if Terry Gilliam directed ____.” I fell in love with this film and those of Jean-Pierre Jeunet while I was in film school at Northwestern. I would love more than anything to make a film with a Gilliam level of design and art.
Post-college malaise. The quarter-life crisis. Obviously another huge inspiration for Garden State. So beautifully acted and photographed and written and directed. As you can tell from my list, I love movies about lonely people finding people to make themselves feel a little less lonely. That look on both of their faces on the bus at the end . . .
The Ice Storm
I love everything about this film—the script’s tone, the color palette, the production design, the costumes. It’s beautifully directed by Ang Lee, and it’s interesting to me that he so richly captured this specific time period in America without having grown up here. He is a master filmmaker. As a young actor, I wanted so badly to be Tobey Maguire in this film. He was so good! I’ve yet to be invited to a key party.
Bill Plympton’s Top 10
Cartoonist, filmmaker, and animator Bill Plympton, whose illustrations have appeared in the pages of the New York Times, the Village Voice, and Vanity Fair, and whose short films became famous on MTV in the eighties, directed the documentary Walt Cur…
Jeremy Workman’s Top 10
A frequent Criterion collaborator who has edited many of our trailers, the director of The World Before Your Feet charts the evolution of his movie love through multiple formats and new technologies.
Karyn Kusama’s Top 10
For her list of favorite Criterion titles, the director of Girlfight and Destroyer celebrates the Hollywood classics, cult pleasures, and art-house masterpieces that inspire her, pairing movies that resonate with each other in style and theme.