That Criterion has released this little-known Stephen Frears gem is a testament to the thoroughness of their search for obscure masterworks. Few films have gambled as much on a simple portrayal of the dynamics between desperate men . . .
12 Angry Men
. . . except perhaps this Sidney Lumet classic.
The Thin Red Line
What better than Malick’s extraordinary vision of war to demonstrate the technical potential of a carefully mastered Blu-ray? Projecting this disc comes close to the original print quality, and it’s hard to imagine a superior consumer format coming along anytime soon.
The Testament of Dr. Mabuse
Lang at his most wicked and entertaining. Essential research for anyone attempting to write a supervillain.
Nic Roeg’s films are known for their structural innovation, but it’s great to be able to see them in a form that also shows off their photographic excellence.
Merry Christmas Mr. Lawrence
Few films have been able to capture David Bowie’s charisma, but Oshima’s wartime drama seems tailor-made for his talents. Tom Conti has rarely been such a sympathetic guide for the audience’s emotions.
For All Mankind
An incredible document of man’s greatest endeavor.
The Complete Mr. Arkadin
No one could make much of a case for Welles’ abortive movie overall, but the heartbreaking glimpses of the great man’s genius preserved here are the most compelling argument for the value of Criterion’s dedication to cinema.
Which brings me to Greed, von Stroheim’s lost work of absolute genius. Which is not available on Criterion. Yet. Here’s hoping.
Allan Arkush’s Top 10
Allan Arkush is an Emmy-winning television director and executive producer of NBC’s hit series Heroes. Arkush's directing credits also include the Ramones’ cult classic Rock ’n’ Roll High School, which Rolling Stone magazine named as one of t…
Dennis Lehane’s Top 10
Dennis Lehane is best known for his novel Mystic River, made into the acclaimed film by Clint Eastwood. When we discovered his love for Criterion, we asked him to write for us, and he did, contributing a terrific essay to our rerelease of The Wages o…
Julia Cafritz’s Top 10
At the beginning of Julia Cafritz’s senior year of high school, she saw Peter Weir’s The Last Wave and decided to drop out of high school, skip college, move to Australia, marry Mr. Weir and devote her life to filmmaking. Her parents said no. Two…