Unique, brilliant, fantastic! I love this movie!
The Battle of Algiers
I was twenty-four years old when I made my first film, Pusher (about the Danish drug underworld), and for it I stole everything I could, both visually and technically, from this film and Cannibal Holocaust.
Carl Th. Dreyer
Vampyr has always reminded me of a mysterious dream I once had when I was very little. The film has always stayed with me. I watch it before I make every film, and yet it still remains a mystery to me.
The Night of the Hunter
The Night of the Hunter is a perfect example of the strength of cinema, in which an image can say a thousand words, whereas in literature a word cannot show a thousand images.
This film is a great mixture of sex and violence.
Flesh for Frankenstein
Flesh for Frankenstein is the only film I’ve ever wished that I had made.
Sweet Smell of Success
In its perfect combination of directing, writing, cinematography, music, sound, and acting, this film is pure cinema.
My Life as a Dog
I saw this film with my mother when I was very young. It’s the only movie aside from It’s a Wonderful Life during which I’ve cried because I was happy.
Beauty and the Beast
Branded to Kill
Stuart Cooper’s Top 10
“I have chosen ten titles from the Criterion Collection not because they are my favorites or necessarily the most important, but because they mean a lot to me personally and bear some relationship to my filmmaking career and the making of Overlord.…
Nathan Lee’s Top 10
Nathan Lee is a critic, curator, and unrepentant champion of Charlie’s Angels: Full Throttle. A former film critic for the New York Times, the Village Voice, and NPR, he is a contributing editor of Film Comment and member of the National Society of…
Gary Giddins’s Top 10
In honor of his participation in our release of Louis Malle’s jazzy noir classic Elevator to the Gallows, we invited music critic Gary Giddins to contribute a list of his ten favorite Criterion films.
Brian Raftery’s Top 10
The year 1999 may be this culture critic’s favorite in Hollywood history (he just wrote a book on the subject!), but the Criterion films he holds most dear span a number of different eras.