United States
1972
62 minutes
Color
1.33:1
Under Chantal Akerman’s watchful eye, a cheap Manhattan hotel glows with mystery and unexpected beauty, its corridors, elevators, rooms, windows, and occasional occupants framed like Edward Hopper tableaux.
| Director | Chantal Akerman |
| Camera | Babette Mangolte |
| Editing | Geneviève Luciano |
Babette Mangolte, the French-born, New York–residing artist best known to Criterion viewers for her work as cinematographer on so many of Chantal Akerman’s films (including most of the director’s influential seventies work, such as Hotel Monterey, Je tu il elle, and . . .
Fans of our release of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles last year can get a healthy second dose of Chantal Akerman with our newhttp://www.criterion.com/boxsets . . .
To coincide with the release of the new Eclipse set Chantal Akerman in the Seventies, which features five extraordinary works made by the groundbreaking Belgian filmmaker in the first full decade of her career, critic Melissa . . .
A BELGIAN IN NEW YORK It was in the 1970s, the first decade of her career, that Belgian filmmaker Chantal Akerman created the works that would define her. Informed as much by her brushes . . .
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