Chantal Akerman

Je tu il elle

Je tu il elle

In her provocative first feature, Chantal Akerman stars as an aimless young woman who leaves self-imposed isolation to embark on a road trip that leads to lonely love affairs with a male truck driver and a former girlfriend. With its famous real-time carnal encounter and its daring minimalism, Je tu il elle is Akerman’s most sexually audacious film.

Film Info

  • Chantal Akerman
  • Belgium, France
  • 1975
  • 86 minutes
  • Black & White
  • 1.33:1
  • French

Available In

Collector's Set

Eclipse Series 19: Chantal Akerman in the Seventies

Chantal Akerman in the Seventies

DVD Box Set

3 Discs

Ships Jul 14, 2018

$35.96

Je tu il elle
Cast
Chantal Akerman
Julie
Niels Arestrup
Truck driver
Claire Wauthion
Girlfriend
Credits
Director
Chantal Akerman
Screenplay
Chantal Akerman
Cinematography
Bénédicte Delesalle
Editing
Luc Freche
Sound
Samy Szlingerbaum

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Mar 18, 2016
Chantal Akerman, 1950–2015
Chantal Akerman, 1950–2015

We were saddened today to learn of the death of the great Chantal Akerman. Known most widely for her 1975 masterpiece, Jeanne Dielman, 23, Quai du commerce, 1080 Bruxelles, Akerman made precise, thoughtful, and aesthetically daring films—fiction fe…

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Jan 19, 2012
Looking with Babette Mangolte

Babette Mangolte, the French-born, New York–residing artist best known to Criterion viewers for her work as cinematographer on so many of Chantal Akerman’s films (including most of the director’s influential seventies work, such as Hotel Monter…


Feb 23, 2010
Eclipse Series 19:
Chantal Akerman in the Seventies

A BELGIAN IN NEW YORK It was in the 1970s, the first decade of her career, that Belgian filmmaker Chantal Akerman created the works that would define her. Informed as much by her brushes with the experimental film scene in New York as by her own pa…

By Michael Koresky


Jan 20, 2010

Explore

Chantal Akerman

Director, Writer, Actor

One of the boldest cinematic visionaries of the past quarter century, the film-school dropout Chantal Akerman takes a profoundly personal and aesthetically idiosyncratic approach to the form, using it to investigate geography and identity, space and time, sexuality and religion. Influenced by the structural cinema she was exposed to when she came to New York from her native Belgium in 1970, at age twenty (work by artists like Michael Snow, Yvonne Rainer, and Andy Warhol), Akerman made her mark in the decade that followed, playing with long takes and formal repetition in her films, which include the architectural meditation Hotel Monterey (1972), the obsessive portrait of estrangement Je tu il elle (1975), the autobiographical New York elegy News from Home (1976), and the austere antiromance Les rendez-vous d’Anna (1978). Her greatest achievement to date, however, is her epic 1975 experiment Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, a hypnotic study of a middle-aged widow’s stifling routine widely considered one of the great feminist films. Such recent Akerman films as the Proust adaptation La captive (2000) and the documentary on Mexican-to-U.S. immigration From the Other Side (2002) prove that she retains her daring, vital voice.