Dark Passages

8 Results

The Beautiful Crimes of Henri Decaë

Dark Passages

The Beautiful Crimes of Henri Decaë

In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.

By Imogen Sara Smith

On Film / Features
Dec 20, 2017
Fatal Women and the Fate of Women

Dark Passages

Fatal Women and the Fate of Women

What is the defining characteristic of the femme fatale? Critic Imogen Sara Smith explores the range of this film noir archetype through a handful of classic performances.

By Imogen Sara Smith

On Film / Features
Jul 31, 2017
Tough and Not-So-Tough Guys

Dark Passages

Tough and Not-So-Tough Guys

What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.

The Devil in the Details

Dark Passages

The Devil in the Details

To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.

By Imogen Sara Smith

On Film / Features
Jan 15, 2017
Exile at Home

Dark Passages

Exile at Home

Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

By Imogen Sara Smith

On Film / Features
Dec 18, 2016
Noir on the Range

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Noir on the Range

In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.

By Imogen Sara Smith

On Film / Features
Oct 31, 2016
What’s in a Name

Dark Passages

What’s in a Name

If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.

By Imogen Sara Smith

On Film / Features
Sep 19, 2016
Is The Red Shoes a Film Noir?

Dark Passages

Is The Red Shoes a Film Noir?

While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.

By Imogen Sara Smith

On Film / Features
Aug 14, 2016