The Criterion Collection
Essays
Jun 16, 2026 — The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...
The Daily
Jun 15, 2026 — L’Alliance New York celebrates a mischievously fruitful collaboration with a six-film series.
The Daily
Jun 11, 2026 — An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.
Jun 9, 2026 — Over the course of four decades, the great Mauritanian French filmmaker Med Hondo created a stylistically diverse, politically trenchant body of work that frequently tapped into his own Pan-African roots and explored the existential and material stresses of Black people...
The Daily
Jun 8, 2026 — Asia Society presents a seven-film retrospective in New York from Thursday through Sunday.
The Daily
Jun 5, 2026 — We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.
Jun 5, 2026 — Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...
The Daily
Jun 2, 2026 — Gorin will discuss films he’s selected as well as his own work and his collaborations with Jean-Luc Godard.
The Daily
May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.
The Daily
May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.