Almost Human

Jul 1, 2026 — Film at Lincoln Center rolls out a series of ten films probing the secrets and suspicions of a nation that seems perpetually on edge.

Jun 30, 2026 — The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Jun 18, 2026 — Over the course of his first three documentaries—Helvetica (2007), Objectified (2009), and Urbanized (2011)—Gary Hustwit established a clean and clear cinematic language that he used to describe the complex and often contradictory systems of thinking that designers use to shape...

Jun 9, 2026 — The screenwriter, director, and novelist will take an active part in all ten screenings in a TIFF Cinematheque series.

Jun 2, 2026 — Gorin will discuss films he’s selected as well as his own work and his collaborations with Jean-Luc Godard.

May 27, 2026 — When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

May 27, 2026 — Is it possible to look without trying to grasp the object of one’s gaze? Traditional ethnographic documentaries, much like the written ethnographies that preceded them, have attempted to explain a given culture to those who don’t belong to it, assuming...

May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

May 11, 2026 — We begin with the Marilyn Monroe centenary and move on to thrillers and collections of poetry and critical essays.

May 8, 2026 — Jean Rouch said they created “a new cinematographic language,” and a retrospective touring North America begins in Toronto.