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Thomas reconstitué

The Oscar-winning costume designer of Phantom Thread—whose latest work can be seen in Bradley Cooper’s Maestro—reminisces about his enduring collaboration with Paul Thomas Anderson, shares his love for the artistry of Italian designers Piero Tosi and Milena Canonero, and talks...

The acclaimed photographer and artist talks about bonding with his dad over films in the collection, praises the subtle power of Ozu’s framing, shares his connection to Garrett Bradley’s depiction of Black American life, and touches on his love for...

Adam Nayman is a critic, lecturer, and author based in Toronto. He writes for the Ringer, Reverse Shot, the New Yorker, and Sight and Sound, and teaches cinema studies at the University of Toronto. He has written several books on...

Aug 31, 2026 The festival’s showcase of nineteen new restorations spans more than half a century of cinema history.

Aug 25, 2026 James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.

Art-House Sci-Fi

The Daily

Aug 19, 2026 BAM presents visions of a few possible utopias—and plenty of dystopias.

Aug 19, 2026 This month’s highlights include a retrospective dedicated to the always-provocative Abel Ferrara, the classic series Neon Genesis Evangelion, and a collection of high-energy tales of female rockers.

Aug 18, 2026 The Academy Museum has outfitted its theater to present a series of “ultra-rare VistaVision prints as well as 70 mm remasters and new 6K digital scans.”

Inner Friction

The Daily

Aug 14, 2026 Fine writing on Powell and Pressburger, James Gray, Catherine Breillat, and Richard Linklater—plus: Isabelle Huppert on Claude Chabrol.

Summer in Japan

The Daily

Aug 13, 2026 BAM’s sun-drenched series features films by Ozu, Kurosawa, Oshima, Kitano, Obayashi, Shinji Somai, and more.

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