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14’s Good, 18’s Better

May 13, 2009 — It doesn’t really come as a surprise that Chris Marker is a devoted inhabitant of the virtual world Second Life. After all, one could call the playful French filmmaker and multimedia artist’s kitty—and alter ego—Guillaume-en-Egypt a trailblazing avatar (when asked...

Mar 19, 1996 — “[He] loves to set his figures in action against greenish or purplish backgrounds, in which we can glimpse the phosphorescence of decay and sniff the coming storm.”—Charles Baudelaire, writing on Edgar Allan Poe What’s striking about Seven is that the...

Feb 1, 1988 — Charles Laughton’s classic has the feel and the force of an American folk fable; yet, it also mixes rural humor with gothic humor, biblical quotation and Freudian symbolism, and everyday realities with a near-mythic confrontation between the forces of good...

Oct 6, 2026 — A dystopian drama that draws on the influences of African mythology and hip-hop, Ngozi Onwurah’s debut feature uses a mix of speculative forms to expose anti-Blackness as a system that underpins the modern world.

Fests and Events

The Daily

Oct 6, 2026 — This week is packed with festival openings, special screenings, series, and retrospectives.

Oct 5, 2026 — Andrew Scott and Rami Malek play dying actors determined to give their all to their art in the late 1980s.

Sep 24, 2026 — The elegantly crafted portmanteau films Quartet, Trio, and Encore adapt twelve spellbinding tales of deception and passion from one of the best-selling authors of the twentieth century.

Sep 22, 2026 — In this exhilarating account of the making of Jean-Luc Godard’s Breathless, Richard Linklater lovingly reconstructs the vanished world of late-fifties Paris and the cinephilic culture surrounding the French New Wave.

Sep 15, 2026 — The late producer’s collaborators include Bertolucci, Cronenberg, Oshima, Skolimowski, Roeg, and Takashi Miike.

Turning Points

The Daily

Sep 11, 2026 — An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.

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