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Love Life

How Late Is It?

The Daily

Oct 16, 2026 — Metropolis and John Berger turn one hundred, Daisies is sixty, and the future is closing in.

Oct 13, 2026 — The Melbourne Cinémathèque screens five films by the poetic realist best known for Children of Paradise.

Oct 9, 2026 — Hal Ashby nods to Stanley Kubrick, Yasmina Price presents a dossier on Kevin Jerome Everson, and Axelle Ropert plays a game.

Oct 6, 2026 — A dystopian drama that draws on the influences of African mythology and hip-hop, Ngozi Onwurah’s debut feature uses a mix of speculative forms to expose anti-Blackness as a system that underpins the modern world.

Oct 5, 2026 — Andrew Scott and Rami Malek play dying actors determined to give their all to their art in the late 1980s.

Sep 29, 2026 — With their mix of comedy, ecstasy, and aesthetic strangeness, the French auteur’s first three features grant us access to psychic states that we might not otherwise be able to enter.

Sep 25, 2026 — David Lynch keeps reentering the conversation, and so does Pauline Kael. Plus: A roundup of recent newsletters.

Sep 22, 2026 — In this exhilarating account of the making of Jean-Luc Godard’s Breathless, Richard Linklater lovingly reconstructs the vanished world of late-fifties Paris and the cinephilic culture surrounding the French New Wave.

Sep 21, 2026 — The first phase of the fall festival season wraps with a big win for Javier Calvo and Javier Ambrossi’s La bola negra.

Sep 21, 2026 — A Japanese-television phenomenon that sparked a boom in anime production and fandom, Hideaki Anno’s magnum opus is a mind-bending mix of kinetic action, sci-fi spectacle, and introspective human drama.

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