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Self Song/Death Song

May 13, 2002 In Barbet Schroeder’s portrait of Ugandan dictator Idi Amin, we watch a seemingly amiable, thoroughly pompous despot attempt to transform himself into a figure of heroic proportions.

Jul 21, 2026 At the beginning of Cruel Story of Youth (1960), the title splashes across the screen in fiery red. Each of the three Japanese words that appear offers a key to understanding director Nagisa Oshima’s breakthrough film and the energies that...

Jul 17, 2026 Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.

Jul 2, 2026 I first met Courtney Love in 1994. I was twelve years old, and I felt ugly and confused pretty much all the time. I was slouching through the locker bay at Calle Mayor Middle School in Torrance, California, when I...

Jul 1, 2026 Film at Lincoln Center rolls out a series of ten films probing the secrets and suspicions of a nation that seems perpetually on edge.

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Jun 29, 2026 In the run-up to the country’s 250th birthday, several venues are offering prompts for celebration and reflection.

Jun 24, 2026 Newly restored, the garishly colorful mountain movie will screen in New York with three more Maddin features.

Jun 22, 2026 Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...

Enduring Portraits

The Daily

Jun 18, 2026 We’re wrapping the week with top docs, Black writers, screwball comedies, and appreciations of Raoul Peck and Jafar Panahi.

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