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Nov 12, 2025 — He anchored some of the best films by Kurosawa, Kobayashi, Okamoto, Naruse, and Teshigahara.

Nov 10, 2025 — Olivia Laing’s second novel is set in mid-1970s Rome, where Fellini is shooting Casanova and Pasolini is at work on Salò.

Nov 5, 2025 — It’ll be a packed four days of pre-Code comedy, drama, and spectacle.

Oct 30, 2025 — The Portuguese filmmaker is on an informal tour of the U.S, presenting and discussing her work and influences.

Oct 28, 2025 — Selections from the independent Cannes sidebar will screen in New York and Los Angeles.

Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.

Oct 24, 2025 — It is hard to conceive of a film more dazzlingly, dizzyingly divided against itself—or one more appropriately so—than this delirious creation of screenwriter Paddy Chayefsky and director Ken Russell.

Oct 23, 2025 — For many critics and fans, the only problem with the five-hour series is that it isn’t twice as long.

Oct 23, 2025 — This scary season brings two new books on films by Nicolas Roeg and extensive documentation of a project Chaplin never realized.

Oct 17, 2025 — This week brings a profile of Jafar Panahi and a conversation between Lucile Hadžihalilović and Gaspar Noé.