Don’t Look Now is many things: terrifying, poignant, mysterious, sexy, tragic. That all these disparate qualities are woven together so seamlessly is partly a miracle of cutting, so one must give proper credit to the film’s editor, Graeme Clifford. In an in-depth new interview on our release of the film, writer and historian Bobbie O’Steen sits down with Clifford (who would go on to have his own career as a director, his films including the Jessica Lange drama Frances) to talk to him about the textures and ideas in Don’t Look Now, and the work that went into making it such a rich experience. In this clip, he describes envisioning the film with Roeg, the choosing of certain takes over others, and some little visual clues you may have missed—even if you’ve seen it many times.
A Subtler Side of the Hepburn-Grant Magic
Filmmaker and distributor Michael Schlesinger and critic Michael Sragow dive into the pleasures of Holiday, a romantic-comedy classic that has long stood in the shadow of The Philadelphia Story but has a poignancy all its own.
Wim Wenders Looks Back on the Digital Future He Predicted
From search engines to all-engrossing handheld devices, the technologies that the German director conjured for his 1991 opus Until the End of the World are now common features of contemporary life.
John Bailey Breaks Down a Tour de Force of Gothic Lighting
The veteran cinematographer takes a close look at the highly stylized and atmospheric lighting in one of the most pivotal scenes in pre-Code classic The Story of Temple Drake.
All About Mankiewicz
One of the most celebrated Hollywood writer-directors of his time, Joseph L. Mankiewicz offers a window into the way he sees his characters in this illuminating clip from an archival interview.