Jul 21, 2026 Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jul 20, 2026 The tenth-anniversary edition of Bristol’s festival offers restorations, walks, workshops, games, and a free interactive exhibition.

Jul 17, 2026 Channel Calendars This month on the Criterion Channel, crank up the volume on our playlist of (actually good) rock biopics that go beyond cliché to explore the elusive place where inspiration sparks and musical legends are born. Our Southern Gothic...

Jul 17, 2026 Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.

Jul 16, 2026 Marking the publication of Rohmer’s only novel, Élisabeth, the Six Moral Tales cycle is revived in four U.S. cities.

Jul 14, 2026 In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...

Jul 14, 2026 News of his “sudden and unexpected” passing has drawn a flood of appreciation and genuine affection.

Jul 2, 2026 I first met Courtney Love in 1994. I was twelve years old, and I felt ugly and confused pretty much all the time. I was slouching through the locker bay at Calle Mayor Middle School in Torrance, California, when I...

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Jun 16, 2026 BAM presents twelve films ranging from the early 1960s through the late 1980s.

Current Page
4
of 152

You have no items in your shopping cart