The Criterion Collection
The Daily
Jul 17, 2026 — Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.
Essays
Jul 14, 2026 — In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...
The Daily
Jul 14, 2026 — News of his “sudden and unexpected” passing has drawn a flood of appreciation and genuine affection.
Jul 14, 2026 — One of the funniest and most affecting scenes in 1970s Hollywood cinema is also one of the most quietly radical—no small feat in a decade of movies marked by wiggy experimentation, explosions of brutal and cathartic violence, and shaggy new...
Jul 14, 2026 — The legacy of Neil Jordan’s The Crying Game has become inextricably entangled with a defining trope of AIDS-era mainstream queer representation: the revelation that exposes the gender identity of a transgender character. By the time of the American release of...
Jul 14, 2026 — On October 30, 1992, the Provisional Irish Republican Army set off two bombs as part of an ongoing campaign against British rule in Northern Ireland. One, a small explosive planted alarmingly close to the prime minister’s residence at 10 Downing...
The Daily
Jul 6, 2026 — Karlovy Vary hosts the world premiere of a new restoration of the Czech director’s 1988 tragicomedy.
Jul 2, 2026 — I first met Courtney Love in 1994. I was twelve years old, and I felt ugly and confused pretty much all the time. I was slouching through the locker bay at Calle Mayor Middle School in Torrance, California, when I...
Jun 30, 2026 — The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...
Jun 23, 2026 — The only favor I ever asked of a twink was for tickets to see John Waters introduce two of his films. I was the sole trans filmmaker enrolled in my school’s program, and I felt it was my right to...