Still Life

Aug 13, 2026 — BAM’s sun-drenched series features films by Ozu, Kurosawa, Oshima, Kitano, Obayashi, Shinji Somai, and more.

Aug 13, 2026 — In Kidlat Tahimik’s playful and unpredictable film, a Philippine village is tasked with manufacturing thousands of figurines for the Olympic Games, upending the lives and customs of the local population.

Aug 10, 2026 — As A. Rimbaud carries on building a dedicated audience, San Diego’s Digital Gym presents a retrospective.

Aug 7, 2026 — This week: Conversations with Jane Schoenbrun, Ngozi Onwurah, and Kent Jones and writing on Jean Epstein and Stanley Kwan.

Aug 7, 2026 — The members of this influential leftist collective created a formally adventurous body of work that examined the nation’s tumultuous history through a postcolonial lens.

Jul 28, 2026 — Seven dynamite nights with Keaton, Chaplin, Lubitsch, Ford, Murnau, Griffith, and Raoul Walsh.

Jul 27, 2026 — Some read Thomson’s new book as an attack on cinema; others argue that they’re missing the point.

Jul 24, 2026 — Names on our minds this week: Mike Mills, Jean Renoir, Ronee Blakley, and Luchino Visconti.

Jul 22, 2026 — In his fiction features Beginners, 20th Century Women, and C’mon C’mon, the acclaimed director casts a sensitive gaze on the rich psychodynamics of human relationships and the hidden interconnections of our unconscious motivations.

Jul 21, 2026 — Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...