The Criterion Collection
Essays
Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...
Visual Analysis
May 23, 2018 — In some of his most elaborately choreographed set pieces, the silent-comedy master confronted the chaos of the world with balletic grace and rhythmic precision.
Aug 25, 2026 — James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.
Aug 25, 2026 — A queer couple in Kyiv is already working through a personal crisis when Russia invades their country.
On the Channel
Aug 19, 2026 — This month’s highlights include a retrospective dedicated to the always-provocative Abel Ferrara, the classic series Neon Genesis Evangelion, and a collection of high-energy tales of female rockers.
The Daily
Aug 14, 2026 — Fine writing on Powell and Pressburger, James Gray, Catherine Breillat, and Richard Linklater—plus: Isabelle Huppert on Claude Chabrol.
The Daily
Aug 7, 2026 — This week: Conversations with Jane Schoenbrun, Ngozi Onwurah, and Kent Jones and writing on Jean Epstein and Stanley Kwan.
Jul 21, 2026 — Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...
The Daily
Jul 20, 2026 — The tenth-anniversary edition of Bristol’s festival offers restorations, walks, workshops, games, and a free interactive exhibition.
The Daily
Jul 17, 2026 — Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.