The Criterion Collection
Jul 16, 2008 — The locations for many of Ingmar Bergman’s most dramatically spare films have existed for so long in moviegoers’ minds as stark black-and-white dream states that to walk through them in living, vibrant color is truly transformative. Imagine the harsh, pebbled...
The Daily
Oct 13, 2026 — The Melbourne Cinémathèque screens five films by the poetic realist best known for Children of Paradise.
Sep 29, 2026 — With their mix of comedy, ecstasy, and aesthetic strangeness, the French auteur’s first three features grant us access to psychic states that we might not otherwise be able to enter.
The Daily
Sep 23, 2026 — Michael Mann, M. Night Shyamalan, James Gray, Robert Eggers, and Lance Oppenheim are among the many directors who will be taking questions.
The Daily
Aug 31, 2026 — The festival’s showcase of nineteen new restorations spans more than half a century of cinema history.
On the Channel
Jul 17, 2026 — Channel Calendars This month on the Criterion Channel, crank up the volume on our playlist of (actually good) rock biopics that go beyond cliché to explore the elusive place where inspiration sparks and musical legends are born. Our Southern Gothic...
Essays
Jul 14, 2026 — In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...
The Daily
Jun 22, 2026 — A quiet highlight of last fall’s festival season, Milagros Mumenthaler’s third feature tours theaters through July.
The Daily
Jun 1, 2026 — The world’s most desolate film festival expands to nearly a hundred theaters in seventy-three cities.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...