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† His Return

Dec 9, 1991 This rarely seen, overlooked gem, featuring what may be one of Marlon Brando’s most fascinating characterizations, was Gillo Pontecorvo’s worthy follow-up to his political masterpiece The Battle of Algiers. The brilliant radical Italian director achieved something unique in cinema, by...

Sep 15, 2026 The late producer’s collaborators include Bertolucci, Cronenberg, Oshima, Skolimowski, Roeg, and Takashi Miike.

Turning Points

The Daily

Sep 11, 2026 An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.

Other Goings On

The Daily

Sep 2, 2026 As the fall festival season begins, let’s not overlook some of the other unmissable events happening elsewhere.

Aug 27, 2026 She was a winning presence on the big screen, even if her movies were only a fraction of her monumental impact on popular culture.

Aug 20, 2026 A retrospective spotlights the writer’s collaborations with Carol Reed, Fritz Lang, John Ford, Alberto Cavalcanti, and George Cukor.

Deep Dives

The Daily

Aug 7, 2026 This week: Conversations with Jane Schoenbrun, Ngozi Onwurah, and Kent Jones and writing on Jean Epstein and Stanley Kwan.

Jul 22, 2026 This year’s Gala and Special Presentations will include new work from Tim Blake Nelson, Takashi Miike, Wayne Wang, and Anton Corbijn.

Jul 21, 2026 Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jul 14, 2026 The legacy of Neil Jordan’s The Crying Game has become inextricably entangled with a defining trope of AIDS-era mainstream queer representation: the revelation that exposes the gender identity of a transgender character. By the time of the American release of...

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