The Criterion Collection
Mar 18, 2003 — Director William Dieterle’s 1941 film adaptation of Stephen Vincent Benét’s short story “The Devil and Daniel Webster” is a melodramatic fever dream, a hallucinatory tour de force.
Essays
Oct 15, 2001 — Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.
Essays
Feb 1, 1988 — Based on the novel by W.T. Burnett, this heist film set in a nameless midwestern city offered moviegoers in 1950 a new view of crime.
Essays
Oct 13, 2026 — Blending elements of psychological thriller, social satire, and psychedelic film, Jerzy Skolimowski’s Cannes-award-winning classic uses its audacious sound design to evoke the terror of English civilization.
Sep 29, 2026 — With their mix of comedy, ecstasy, and aesthetic strangeness, the French auteur’s first three features grant us access to psychic states that we might not otherwise be able to enter.
Sep 24, 2026 — The elegantly crafted portmanteau films Quartet, Trio, and Encore adapt twelve spellbinding tales of deception and passion from one of the best-selling authors of the twentieth century.
The Daily
Sep 23, 2026 — Michael Mann, M. Night Shyamalan, James Gray, Robert Eggers, and Lance Oppenheim are among the many directors who will be taking questions.
Sep 14, 2026 — May el-Toukhy’s Woman Unknown wins the Golden Lion, and NAZA, codirected by Rachel Szor and Yuval Abraham, wins a Special Jury Prize.
The Daily
Aug 27, 2026 — She was a winning presence on the big screen, even if her movies were only a fraction of her monumental impact on popular culture.
Essays
Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.