The Criterion Collection
Home
Shop the Collection
Current
The Criterion Channel
Search
Cart
Account
My Criterion
Dashboard
Orders
Wish List
My Collection
Log In
Menu
Close Menu
Back To Search
Was ich bin, sind meine Filme (I Am My Films) (Erwin Keusch & Christian Weisenborn, ) documentary
Related Films
(100)
The Signifyin’ Works of Marlon Riggs
The BRD Trilogy
Shoah
Claude Lanzmann
People on Sunday
Robert Siodmak and Edgar G. Ulmer
Brand upon the Brain!
Guy Maddin
Under the Volcano
John Huston
Black Girl
Ousmane Sembène
Eclipse Series 2: The Documentaries of Louis Malle
The Complete Films of Agnès Varda
Ingmar Bergman’s Cinema
The Red Shoes
Michael Powell and Emeric Pressburger
I Was Born, But . . .
Yasujiro Ozu
Eve’s Bayou
Kasi Lemmons
Good Morning
Yasujiro Ozu
Eclipse Series 10: Silent Ozu—Three Family Comedies
Law of the Border
Lütfi Ö. Akad
The Kennedy Films of Robert Drew & Associates
Robert Drew
So Can I
Abbas Kiarostami
I Am Waiting
Koreyoshi Kurahara
Broadcast News
James L. Brooks
The Curious Case of Benjamin Button
David Fincher
True Stories
David Byrne
Boyhood
Richard Linklater
On the Waterfront
Elia Kazan
Carlos
Olivier Assayas
The Complete Jean Vigo
The Last Emperor
Bernardo Bertolucci
Wanda
Barbara Loden
Burroughs: The Movie
Howard Brookner
Roberto Rossellini’s War Trilogy
Manila in the Claws of Light
Lino Brocka
Speedy
Ted Wilde
L’enfance nue
Maurice Pialat
Patriotism
Yukio Mishima and Domoto Masaki
America Lost and Found: The BBS Story
Eclipse Series 28: The Warped World of Koreyoshi Kurahara
Indiscretion of an American Wife
Vittorio De Sica
Europe ’51
Roberto Rossellini
The Red Balloon and Other Stories: Five Films by Albert Lamorisse
The Player
Robert Altman
Scanners
David Cronenberg
Andrei Rublev
Andrei Tarkovsky
Carnival of Souls
Herk Harvey
The Rules of the Game
Jean Renoir
Killer of Sheep
Charles Burnett
Merry Christmas Mr. Lawrence
Nagisa Oshima
Some Like It Hot
Billy Wilder
8½
Federico Fellini
In Vanda’s Room
Pedro Costa
Eclipse Series 43: Agnès Varda in California
The Phantom Carriage
Victor Sjöström
The Velvet Underground
Todd Haynes
Scorsese Shorts
Martin Scorsese
The Times of Harvey Milk
Robert Epstein
John Cassavetes: Five Films
Three Colors
The Adventures of Antoine Doinel
Bruce Lee: His Greatest Hits
Mandabi
Ousmane Sembène
Dietrich & von Sternberg in Hollywood
The Color of Pomegranates
Sergei Parajanov
Limelight
Charles Chaplin
The Thin Blue Line
Errol Morris
The Bitter Tears of Petra von Kant
Rainer Werner Fassbinder
Nashville
Robert Altman
Le beau Serge
Claude Chabrol
Jules and Jim
François Truffaut
The River
Jean Renoir
Rashomon
Akira Kurosawa
Fanfan la Tulipe
Christian-Jaque
The Orphic Trilogy
Danton
Andrzej Wajda
Spartacus
Stanley Kubrick
Rome Open City
Roberto Rossellini
Three Revolutionary Films by Ousmane Sembène
Once Upon a Time in China: The Complete Films
Six Moral Tales
Two Films by Marguerite Duras
The Circus
Charles Chaplin
A Face in the Crowd
Elia Kazan
Rumble Fish
Francis Ford Coppola
Two Days, One Night
Jean-Pierre Dardenne and Luc Dardenne
The Bridge
Bernhard Wicki
The Freshman
Sam Taylor and Fred Newmeyer
Marketa Lazarová
František Vláčil
Woman in the Dunes
Hiroshi Teshigahara
The Cranes Are Flying
Mikhail Kalatozov
The Testament of Dr. Mabuse
Fritz Lang
Koyaanisqatsi
Godfrey Reggio
Calcutta
Louis Malle
The Samurai Trilogy
The Canterbury Tales
Pier Paolo Pasolini
Pina
Wim Wenders
One Night in Miami . . .
Regina King
Valley of the Dolls
Mark Robson
Quadrophenia
Franc Roddam
The Hidden Fortress
Akira Kurosawa
The Man Who Fell to Earth
Nicolas Roeg
Pygmalion
Anthony Asquith and Leslie Howard
The Only Son/There Was a Father: Two Films by Yasujiro Ozu
You have no items in your shopping cart
View Cart
Check Out
Shop the Collection
All Films
New Releases
Coming Soon
Criterion Closet Picks
Gift Shop
Current
Top 10 Lists
Essays
Features
The Daily
The Criterion Channel
Browse
Sign Up
Sign Up for Our Newsletter
Email:
Our Mission
Contact Us
FAQ
Close Menu
SEARCH
Submit
For streaming, search the
Criterion Channel