Cannes 2017: Index

So the idea here should be self-evident, but just in case: click a title to see the first round of critical response—reviews, interviews, video, and so forth—and check back now and again, as nearly every entry below is updated for days, sometimes weeks after it initially appears.


Fatih Akin’s In the Fade

Noah Baumbach’s The Meyerowitz Stories (New and Selected)

Bong Joon-ho’s Okja

Robin Campillo’s BPM (Beats Per Minute)

Sofia Coppola’s The Beguiled

Jacques Doillon’s Rodin

Michael Haneke’s Happy End

Todd Haynes’s Wonderstruck

Michel Hazanavicius’s Redoubtable

Hong Sangsoo’s The Day After

Naomi Kawase’s Radiance

Yorgos Lanthimos’s The Killing of a Sacred Deer

Sergei Loznitsa’s A Gentle Creature

Kornél Mundruczó’s Jupiter’s Moon

Ruben Östlund’s The Square

François Ozon’s Amant Double

Lynne Ramsay’s You Were Never Really Here

Josh and Benny Safdie’s Good Time

Andrey Zvyagintsev’s Loveless


Un Certain Regard

Mathieu Amalric’s Barbara

Valeska Grisebach’s Western

Kiyoshi Kurosawa’s Before We Vanish

Léonor Serraille’s Montparnasse Bienvenue


Out of Competition

Arnaud Desplechin’s Ismaël’s Ghosts

Takashi Miike’s Blade of the Immortal

John Cameron Mitchell’s How to Talk to Girls at Parties

Roman Polanski’s Based on a True Story

Agnès Varda and JR’s Faces Places

Special Screenings

Hong Sangsoo’s Claire’s Camera

Abbas Kiarostami’s 24 Frames

Claude Lanzmann’s Napalm

Vanessa Redgrave’s Sea Sorrow

Cannes Classic

Tony Zierra’s Filmworker

Directors’ Fortnight

Sean Baker’s The Florida Project

Jonas Carpignano’s A Ciambra

Claire Denis’s Let the Sunshine In

Bruno Dumont’s Jeannette: The Childhood of Joan of Arc

Abel Ferrara’s Alive in France

Philippe Garrel’s Lover for a Day

Chloé Zhao’s The Rider


Critics’ Week

Fabio Grassadonia and Antonio Piazza’s Sicilian Ghost Story

Léa Mysius’s Ava


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