Cannes 2017: Index
So the idea here should be self-evident, but just in case: click a title to see the first round of critical response—reviews, interviews, video, and so forth—and check back now and again, as nearly every entry below is updated for days, sometimes weeks after it initially appears.
Competition
Fatih Akin’s In the Fade
Noah Baumbach’s The Meyerowitz Stories (New and Selected)
Bong Joon-ho’s Okja
Robin Campillo’s BPM (Beats Per Minute)
Sofia Coppola’s The Beguiled
Jacques Doillon’s Rodin
Michael Haneke’s Happy End
Todd Haynes’s Wonderstruck
Michel Hazanavicius’s Redoubtable
Hong Sangsoo’s The Day After
Naomi Kawase’s Radiance
Yorgos Lanthimos’s The Killing of a Sacred Deer
Sergei Loznitsa’s A Gentle Creature
Kornél Mundruczó’s Jupiter’s Moon
Ruben Östlund’s The Square
François Ozon’s Amant Double
Lynne Ramsay’s You Were Never Really Here
Josh and Benny Safdie’s Good Time
Andrey Zvyagintsev’s Loveless
Un Certain Regard
Mathieu Amalric’s Barbara
Valeska Grisebach’s Western
Kiyoshi Kurosawa’s Before We Vanish
Léonor Serraille’s Montparnasse Bienvenue
Out of Competition
Arnaud Desplechin’s Ismaël’s Ghosts
Takashi Miike’s Blade of the Immortal
John Cameron Mitchell’s How to Talk to Girls at Parties
Roman Polanski’s Based on a True Story
Agnès Varda and JR’s Faces Places
Special Screenings
Hong Sangsoo’s Claire’s Camera
Abbas Kiarostami’s 24 Frames
Claude Lanzmann’s Napalm
Vanessa Redgrave’s Sea Sorrow
Cannes Classic
Tony Zierra’s Filmworker
Directors’ Fortnight
Sean Baker’s The Florida Project
Jonas Carpignano’s A Ciambra
Claire Denis’s Let the Sunshine In
Bruno Dumont’s Jeannette: The Childhood of Joan of Arc
Abel Ferrara’s Alive in France
Philippe Garrel’s Lover for a Day
Chloé Zhao’s The Rider
Critics’ Week
Fabio Grassadonia and Antonio Piazza’s Sicilian Ghost Story
Léa Mysius’s Ava
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