12 Great Opening Shots
May 09, 2013
In a career-defining performance, Alain Delon plays a contract killer with samurai instincts. A razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture—with a liberal dose of Japanese lone-warrior mythology—maverick director Jean-Pierre Melville’s masterpiece Le Samouraï defines cool.
| Jef Costello | Alain Delon |
| Superintendent | François Périer |
| Jane Lagrange | Nathalie Delon |
| Valérie, the pianist | Cathy Rosier |
| Man in the passageway | Jacques Leroy |
| Wiener | Michel Boisrond |
| Director | Jean-Pierre Melville |
| Screenplay | Jean-Pierre Melville and Joan McLeod |
| Producer | Raymond Borderie and Eugène Lépicier |
| Cinematography | Henri Decaë |
| Assistant director | Georges Pellegrin |
| Music | François de Roubaix |
| Production design | François de Lamothe |
| Editing | Monique Bonnot and Yo Maurette |
By October 24, 2005
Tone and style are everything with Le samouraï. Poised on the brink of absurdity, or a kind of . . . Read more »
By October 24, 2005
Tone and style are everything with Le samouraï. Poised on the brink of absurdity, or a kind of . . . Read more »
By October 24, 2005
Tone and style are everything with Le samouraï. Poised on the brink of absurdity, or a kind of . . . Read more »