The 400 Blows
By April 08, 2003
François Truffaut’s first feature, The 400 Blows (Les Quatre cents coups), was more than a semi-autobiographical film; it was also an elaboration of what the French New Wave directors would embrace as the Read more »
SYNOPSIS: François Truffaut’s first feature, The 400 Blows (Les quatre cents coups), is also his most personal. Told through the eyes of Truffaut’s life-long cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows sensitively re-creates the trials of Truffaut’s own difficult childhood, unsentimentally portraying aloof parents, oppressive teachers, petty crime, and a friendship that would last a lifetime. The film marks Truffaut’s passage from leading critic of the French New Wave to his emergence as one of Europe’s most brilliant auteurs.
| Antoine Doinel | Jean-Pierre Léaud |
| Madame Doinel | Claire Maurier |
| Monsieur Doinel | Albert Remy |
| Teacher (“Little Quiz”) | Guy Decomble |
| Monsieur Bigey | Georges Flamant |
| René Bigey | Patrick Auffay |
| Director | François Truffaut |
| Screenplay | Marcel Moussy and François Truffaut |
| Cinematography | Henri Decaë |
| Producer | François Truffaut and Georges Charlot |
| Music | Jean Constantine |
| Editing | Marie Josèphe Yoyotte, Cécile Decugis and Michèle de Possel |
By April 08, 2003
François Truffaut’s first feature, The 400 Blows (Les Quatre cents coups), was more than a semi-autobiographical film; it was also an elaboration of what the French New Wave directors would embrace as the Read more »
By April 21, 2009
Fifty years ago today . . . Godard wrote this New Wave battle cry for the April 22, 1959, issue of the French journal Arts, on the news of François Truffaut’s The 400 Blows being Read more »
May 19, 2010
Plenty of ink has been expended over the years on the turbulent friendship between Jean-Luc Godard and François Truffaut, which helped define the French New Wave Read more »
By December 21, 2008
André Bazin has a curious status in intellectual life. He is everywhere admitted as the founding father of film criticism and theory in general. The magazine he created in the 1950s, Cahiers du cinéma, has Read more »
August 18, 2010
UPDATE 14OCT2010: It seems that we at Criterion, or at least our subtitles, have gotten caught up in a bit of a controversy with regard to the article that we linked to here. Some sharp readers noticed Read more »
May 06, 2010
For its June issue, Sight & Sound has conducted a poll of fifty-one leading critics and writers, asking them to select the best, “most inspirational” books about film ever written. The resulting top five Read more »
April 07, 2010
The smart folks at the niftily designed film website Not Coming to a Theater Near You are in the midst of a monthlong feature titled Love on the Run: The Films of François Truffaut. One essay and film Read more »
April 26, 2009
The British film magazine Sight & Sound dedicates its May issue to the fiftieth anniversary of the French New Wave, which it dates to the first screening of François Truffaut’s The 400 Blows Read more »