The Criterion Collection
Sep 28, 2022 — Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.
The Daily
Aug 26, 2022 — Louise Brooks, Marguerite Duras, Lucrecia Martel, and Jacquelyn Mills headline this week’s roundup.
The Daily
Aug 10, 2022 — Selections range from award-winners in Cannes, Berlin, and Sundance to promising titles heading first to Venice and Toronto.
The Daily
Jul 29, 2022 — TIFF presents its Galas and Special Presentations, and New York is just getting started.
On the Channel
Jul 27, 2022 — Beat the heat with our extensive survey of Chinese representation in American film as well as tributes to Yaphet Kotto, David Gulpilil, and Myrna Loy.
The Daily
Jun 15, 2022 — The late actor will be remembered for his work with Robert Altman, Paul Thomas Anderson—and Jerry Seinfeld.
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
The Daily
Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.
The Daily
Dec 3, 2021 — In the spotlight this week: Mario Monicelli, Michael Snow, Gordon Parks, Fronza Woods, and the Japanese New Wave.
Nov 23, 2021 — First and foremost, Menace II Society is a movie for white people.These aren’t my words. These are the words of Albert Hughes, who codirected the movie with his twin brother, Allen. In several interviews, Albert has mentioned how he and...