The Criterion Collection
Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.
The Daily
Aug 6, 2025 — Along with its world premieres and restored classics, the festival presents a few films sure to spark debate.
The Daily
Jul 25, 2025 — Kenneth Lonergan and Terry Gilliam check their to-do lists and Vincent Price meets Greta Garbo.
The Daily
Jul 15, 2025 — Much of the program upends assumptions about the postwar years as a period of relative calm and conformity.
The Daily
Jul 14, 2025 — The top prize, the Crystal Globe, goes to Better Go Mad in the Wild, a portrait twins living out their days on an isolated farm.
Essays
Jul 1, 2025 — Made nearly two decades into Fritz Lang’s Hollywood career, this brutal noir is designed for maximum velocity and impact, eschewing the director’s accustomed flourishes in favor of a stark literalness.
The Daily
Jun 24, 2025 — As the New York Times rolls out the results of its new poll, we look to a few indicators as to where this might be headed.
The Daily
Jun 11, 2025 — Acropolis Cinema presents the LA premiere of The Damned and the world premiere of a new restoration of The Passage.
May 27, 2025 — A landmark of independent cinema, Charles Burnett’s debut feature captures daily life in Watts, Los Angeles, with a depth and precision that evokes the history of Black American music.
The Daily
May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.