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Dead Shot

Mar 16, 2010 More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...

Cop 223 Gets Lucky

Production Notes

Oct 14, 2008 Okay, quiz time. What does the music video for Justin Timberlake’s “SexyBack” have to do with the Criterion Collection? Give up? Well, it was shot by none other than ace director of photography Christopher Doyle, whose work is being brought...

May 12, 2008 This intensely personal work about a self-destructive young man would help alleviate Louis Malle’s doubts about his career.

Aug 13, 2007 Samuel Fuller knew how to handle a gun from his army days, and this experience colored all of his filmmaking, which he began at the age of thirty-six.

Sep 21, 2026 The elegantly crafted portmanteau films Quartet, Trio, and Encore adapt twelve spellbinding tales of deception and passion from one of the best-selling authors of the twentieth century.

To Be Free

The Daily

Sep 18, 2026 We’re remembering Patricio Guzmán and spotlighting new writing on Sarah Maldoror, Tsui Hark, and the Up series.

Sep 17, 2026 Our Halloween programming includes a tour of cinema’s scariest road movies, an anthology of TV-movie nightmares, and collections built around our fears of sinister intruders and mysterious possessive forces.

Turning Points

The Daily

Sep 11, 2026 An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.

Aug 25, 2026 James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.

Aug 25, 2026 The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.

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