Jul 14, 2026 The legacy of Neil Jordan’s The Crying Game has become inextricably entangled with a defining trope of AIDS-era mainstream queer representation: the revelation that exposes the gender identity of a transgender character. By the time of the American release of...

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Jun 26, 2026 We’re tracking the unconventional flows of Zidane, Eephus, and Castration Movie; plus Pedro Costa on Mizoguchi and Tourneur.

Jun 17, 2026 Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...

Jun 16, 2026 BAM presents twelve films ranging from the early 1960s through the late 1980s.

Jun 9, 2026 Over the course of four decades, the great Mauritanian French filmmaker Med Hondo created a stylistically diverse, politically trenchant body of work that frequently tapped into his own Pan-African roots and explored the existential and material stresses of Black people...

Jun 8, 2026 Asia Society presents a seven-film retrospective in New York from Thursday through Sunday.

Shifting POVs

The Daily

Jun 5, 2026 We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.

May 28, 2026 Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

May 19, 2026 “Last night, I was in the Kingdom of Shadows,” proclaimed Maxim Gorky, writing about an 1896 projection of films by Auguste and Louis Lumière in the Russian city of Nizhny Novgorod. “Suddenly a strange flicker passes through the screen and...

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