The Criterion Collection
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Jul 28, 2026 — Seven dynamite nights with Keaton, Chaplin, Lubitsch, Ford, Murnau, Griffith, and Raoul Walsh.
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Jul 24, 2026 — Names on our minds this week: Mike Mills, Jean Renoir, Ronee Blakley, and Luchino Visconti.
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Jul 22, 2026 — This year’s Gala and Special Presentations will include new work from Tim Blake Nelson, Takashi Miike, Wayne Wang, and Anton Corbijn.
Jul 21, 2026 — Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...
Jul 14, 2026 — On October 30, 1992, the Provisional Irish Republican Army set off two bombs as part of an ongoing campaign against British rule in Northern Ireland. One, a small explosive planted alarmingly close to the prime minister’s residence at 10 Downing...
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Jul 13, 2026 — Jurors have honored films from Myanmar, Denmark, Slovakia, Japan, and Greece.
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Jul 2, 2026 — This week’s roundup ranges from sad goodbyes to a silent comedy, from Hitchcock to Barker, and from video art to a cult TV series.
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Jun 25, 2026 — On its fiftieth anniversary, Mikey and Nicky is back in theaters, and A New Leaf and Ishtar are screening in New York as well.
Jun 22, 2026 — Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...
Jun 18, 2026 — Over the course of his first three documentaries—Helvetica (2007), Objectified (2009), and Urbanized (2011)—Gary Hustwit established a clean and clear cinematic language that he used to describe the complex and often contradictory systems of thinking that designers use to shape...