Mar 29, 2019 Fresh assessments of the work of Chris Marker and Stanley Kubrick, an interview with Kent Jones, and that stellar year for American cinema, 1999.

The Repertory Boom

The Daily

Dec 5, 2018 The New Beverly reopens in Los Angeles and Film Comment offers fresh coverage of the repertory scene in New York.

Justin Chang is a film critic at the New Yorker and NPR’s Fresh Air. He won the 2024 Pulitzer Prize for Criticism for his work at the Los Angeles Times.

John Powers has been the film critic for LA Weekly, Vogue, and NPR’s Fresh Air with Terry Gross, where he is presently critic at large. He’s the cowriter (with Wong Kar Wai) of the 2016 book WKW: The Cinema of...

May 19, 2026 Elevator doors open onto a warehouse floor bathed in red light, high above downtown Manhattan in early May 2024. Exposed concrete and visible ductwork frame a room where artists in green aprons, cosplaying as waiters, circulate among guests in suits...

Holding Our Own

The Daily

Sep 4, 2026 Celebrating “reticent auteurs,” a unique London distributor, and the work of Satyajit Ray and Richard Linklater.

Aug 28, 2026 Revisiting work by Whit Stillman, Frederick Wiseman, Nathaniel Dorsky—and lots of road movies.

Aug 25, 2026 In her second film, Oscar-winning documentarian Barbara Kopple captures the anguish and perils of disunity in the labor movement and the corrosion of union power during the Reagan era.

Jul 22, 2026 This year’s Gala and Special Presentations will include new work from Tim Blake Nelson, Takashi Miike, Wayne Wang, and Anton Corbijn.

Jul 21, 2026 Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

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