The Casagrandes Movie

Oct 14, 2014 — What happens offscreen is as important as what’s on- in John Ford’s subtle, elegiac take on the Wyatt Earp–Doc Holliday story.

Oct 2, 2014 — People struggle to escape their socially dictated roles in Rainer Werner Fassbinder’s moving, Douglas Sirk–inspired melodrama.

Sep 30, 2014 — When we first released Rainer Werner Fassbinder’s Ali: Fear Eats the Soul in 2003, we asked filmmaker Todd Haynes to provide a video introduction. The year before, he had released his masterful Far from Heaven, a reworking of Douglas Sirk’s...

May 7, 2014 — Director Spike Lee is something of a superfan of Billy Wilder’s scathing American media satire Ace in the Hole, as you can see in this clip from an interview with him on our release. He even brought a piece of...

May 6, 2014 — This humorous magazine piece from 1970 sheds some light on the meaning of the title of Il sorpasso, along with the way Vittorio Gassman comports himself behind the wheel in it.

Apr 24, 2014 — Film scholar extraordinaire David Bordwell is among our most meticulous writers on the art of cinema, looking closely at the construction of a film to see what makes it work and how its technical approach reflects its historical moment. We...

Apr 16, 2014 — Breaking the Waves is the kind of film that elicits strong emotional responses. And as its director Lars von Trier, editor Anders Refn, and location scout Anthony Dod Mantle discuss in this excerpt from our new edition’s scene-specific audio commentary,...

Mar 2, 2014 — The author shares his memories of the French filmmaker, who died on Saturday.

Feb 27, 2014 — Paolo Sorrentino was in the Criterion office recently to do publicity for his Oscar-nominated film The Great Beauty, and while he was here we thought we’d ask this cinephile a few questions about movies. In this short, casual interview, he...

Feb 26, 2014 — King of the Hill, about a struggling but resourceful preteen (Jesse Bradford) growing up amid the fear and poverty of the Great Depression, is director Steven Soderbergh’s only film to focus on the life of a child. In this clip...