When we first released Rainer Werner Fassbinder’s Ali: Fear Eats the Soul in 2003, we asked filmmaker Todd Haynes to provide a video introduction. The year before, he had released his masterful Far from Heaven, a reworking of Douglas Sirk’s All That Heaven Allows (1955), the film that also provided the inspiration for Fassbinder’s wrenching melodrama about the societally frowned-upon love between a middle-aged cleaning woman and a younger Moroccan immigrant. Haynes brought his amazing insight about cinema and people to his discussion of Ali—as is clear from this excerpt, in which he focuses on a particular composition and how it expresses the film’s themes.
A Hidden Figure of the Czechoslovak New Wave Takes the Spotlight
In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
Robert Zemeckis Looks Back on His Debut-Film Jitters
In a new conversation with collaborators Bob Gale and Steven Spielberg, the director of I Wanna Hold Your Hand talks about the terror of being a first-time feature director.
How Carlos Reygadas Plans for the Unexpected
Storyboards have been an important part of the Mexican filmmaker’s process from the beginning of his career. In this interview, he talks about the freedom that meticulous pre-planning allows him on-set.