Breaking the Waves is the kind of film that elicits strong emotional responses. And as its director Lars von Trier, editor Anders Refn, and location scout Anthony Dod Mantle discuss in this excerpt from our new edition’s scene-specific audio commentary, much of that power and the movie’s ragged, unnerving beauty have to do with its unconventional editing style, which stemmed from Refn and von Trier’s decision to “cut emotionally” rather than follow the usual rules of visual continuity.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.