King of the Hill, about a struggling but resourceful preteen (Jesse Bradford) growing up amid the fear and poverty of the Great Depression, is director Steven Soderbergh’s only film to focus on the life of a child. In this clip from a new interview on our release of the film, Soderbergh discusses why he finds films about childhood particularly fascinating and rewarding and muses that the film’s young protagonist might fit right in with some of his other characters.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.