The Criterion Collection
Sep 14, 2026 — May el-Toukhy’s Woman Unknown wins the Golden Lion, and NAZA, codirected by Rachel Szor and Yuval Abraham, wins a Special Jury Prize.
The Daily
Sep 11, 2026 — An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.
The Daily
Aug 31, 2026 — The festival’s showcase of nineteen new restorations spans more than half a century of cinema history.
Aug 25, 2026 — In her second film, Oscar-winning documentarian Barbara Kopple captures the anguish and perils of disunity in the labor movement and the corrosion of union power during the Reagan era.
Essays
Aug 25, 2026 — The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.
The Daily
Aug 24, 2026 — New, forthcoming, and noteworthy titles include one of the most debated novels of the moment.
Aug 13, 2026 — In Kidlat Tahimik’s playful and unpredictable film, a Philippine village is tasked with manufacturing thousands of figurines for the Olympic Games, upending the lives and customs of the local population.
Aug 11, 2026 — Set in 1930s French West Africa, Bertrand Tavernier’s hard-to-classify adaptation of the Jim Thompson novel Pop. 1280 offers an apocalyptic vision of a society in which institutions have abdicated their moral authority.
Aug 7, 2026 — The members of this influential leftist collective created a formally adventurous body of work that examined the nation’s tumultuous history through a postcolonial lens.
The Daily
Jul 31, 2026 — Along with a new Senses of Cinema, the week brings writing on work by Rossellini, Bresson, De Palma, Kiyoshi Kurosawa, and Yashaddai Owens.